The Fire and the Rose
This concept of order, disorder, and reordering is central to my work. Scientists talk of order and randomness, of entropy, and of eternity’s eventual end when all differences disappear. Yet, I am an optimist. I see life as an anti-entropic force for order. In my work, I constantly propose not a duality of life and death, but an endless cycle of life, death, and rebirth.
The Fire and the Rose series employs a philosophic message based upon Little Gidding, a poem by T. S. Eliot. Little Gidding is the final poem of four in Eliot’s masterpiece, The Four Quartets, as well as the last major poem he wrote and, in the opinion of many, a summing-up of his life-long aesthetic and spiritual quest. One appeal of the poem for me is Eliot's implication that one can be redeemed from time; according to one critic, "He has found immortality not in living forever, but by living in a moment that transcends time."
All the larger paintings incorporate words from Little Gidding into the paintings thereby helping create a grid composed of "ordered," horizontal lines of paint and "hidden" words that are "disordered" by the (seeming) randomness of vertical drips. Later paintings in this series create more "order" by imposing a painted frame that, often, is "violated" by a disordering, gestural stroke.
The title for The Fire and the Rose also comes from a line of poetry by T. S. Eliot:
When the tongues of flames are in-folded
Into the crowned knot of fire
And the fire and the rose are one.
See Eliot, T. S. The Complete Poems and Plays 1909-1950, Harcourt, Brace and Company: New York, 1952, Choruses from "The Rock": IX, p.112 and "Little Gidding," p. 145
|

© 2003
BASID #564 (SOLD)
|
|

© 2004
BASID #580 |
Beth Ames Swartz
And to make an end is to make a beginning
acrylic on canvas
60" x 84" (1.52m x 2.13m)
2003 |
|
Beth Ames Swartz
And next year's words await another voice
acrylic on canvas
60" x 84" (1.52m x 2.13m)
2004 |

© 2003
BASID #561 (SOLD)
|

© 2003-2004
BASID #593 (SOLD)
|
Beth Ames Swartz
To be redeemed from fire by fire
acrylic on canvas
48" x 72" (1.22m x 1.83m)
2003 |
Beth Ames Swartz
Love is the unfamiliar Name
acrylic on canvas
48" x 72" (1.22m x 1.83m)
2003-2004 |

© 2003-2004
BASID #588 |

© 2005
BASID #618 |
Beth Ames Swartz
But heard, half-heard, in the stillness
acrylic on canvas
54" x 66" (1.37m x 1.67m)
2003-2004
|
Beth Ames Swartz
Midwinter spring is its own season
acrylic and holographic film on canvas
48" x 72" (1.22m x 1.83m)
2005 |

© 2003
BASID #568 (SOLD)
|

© 2003
BASID #567 (SOLD)
|
Beth Ames Swartz
Being between two lives
acrylic on canvas
60" x 60" (1.52m x 1.52m)
2003
|
Beth Ames Swartz
The moment of the rose and the moment of the yew-tree are of equal duration
acrylic on canvas
60" x 60" (1.52m x 1.52m)
2003 |

© 2004
BASID #569 (SOLD)
|

© 2003
BASID #566 (SOLD)
|
Beth Ames Swartz
And all manner of things shall be well
acrylic on canvas
48" x 60" (1.22m x 1.52m)
2003-2004
|
Beth Ames Swartz
And the fire and the rose are one
acrylic on canvas
48" x 60" (1.22m x 1.52m)
2003
|

© 2003
BASID #571
|

© 2001-2004
BASID #592
|
Beth Ames Swartz
The brief sun flames the ice in windless cold that is the heart's heat
acrylic, holographic film & mixed media on canvas
48" x 60" (1.22m x 1.52m)
2003 |
Beth Ames Swartz
In concord at this intersection time of meeting nowhere, no before and after
acrylic on canvas
48" x 60" (1.22m x 1.52m)
2001-2004 |

© 2003
BASID #570 (SOLD)
|

© 2005
BASID #608 (SOLD)
|
Beth Ames Swartz
The parched eviscerate soil gapes at the vanity of toil
acrylic, paper and mixed media on canvas
48" x 60" (1.22m x 1.52m)
2003 |
Beth Ames Swartz
I pray you to forgive both bad and good
acrylic and holographic film on canvas
48" x 60" (1.22m x 1.52m)
2003
|

© 2003
BASID #560 (SOLD)
|

© 2003-2004
BASID #594
|
Beth Ames Swartz
The voice of the hidden waterfall
acrylic on canvas
60" x 48" (1.52m x 1.22m)
2003
|
Beth Ames Swartz
The dove descending breaks the air
acrylic on canvas
60" x 48" (1.52m x 1.22m)
2003-2004
|

© 2004
BASID #607
|

BASID #617
|
Beth Ames Swartz
Let me disclose the gifts reserved for age
acrylic on canvas
60" x 48" (1.52m x 1.22m)
2004 |
Beth Ames Swartz
I pray you to forgive both bad and good
acrylic and holographic film on canvas
60" x 48" (1.52m x 1.22m)
2005 |

© 2004
BASID #577 (SOLD)
|

© 2004
BASID #578 (SOLD)
|
Beth Ames Swartz
Between melting and freezing the soul's sap quivers
acrylic on canvas
36 " x 48" (0.91m x 1.22m)
2004 |
Beth Ames Swartz
Sempiternal though sodden towards sundown
acrylic on canvas
36 " x 48" (0.91m x 1.22m)
2004 |

© 2004
BASID #579 (SOLD)
|

© 2004
BASID #589 (SOLD)
|
Beth Ames Swartz
A glare that is blindness in the early afternoon
acrylic on canvas
36 " x 48" (0.91m x 1.22m)
2004 |
Beth Ames Swartz
Words sufficed to compel the recognition they preceded
acrylic on canvas
36 " x 48" (0.91m x 1.22m)
2001-2004 |

© 2004
BASID #591 (SOLD)
|

© 2004
BASID #602 (SOLD) |
Beth Ames Swartz
He left me, with a kind of valediction, and faded on the blowing of the horn
acrylic and holographic film on canvas
36" x 48" (0.91m x 1.22m)
2004 |
Beth Ames Swartz
If you came this way in may time, you would find the hedges white again
acrylic and holographic film on canvas
36" x 48" (0.91m x 1.22m)
2004 |

© 2004
BASID #603 (SOLD) |

© 2004 BASID #604 |
Beth Ames Swartz
Water and fire succeed the town, the pasture and the weed
acrylic and holographic film on canvas
36" x 48" (0.91m x 1.22m)
2004 |
Beth Ames Swartz
This is the use of memory: for liberation
acrylic and holographic film on canvas
36" x 48" (0.91m x 1.22m)
2004 |

© 2004
BASID #590 (SOLD)
|

© 2002-2004
BASID #595
|
Beth Ames Swartz
While the light fails on a winter's afternoon, in a secluded chapel
acrylic on canvas
36 " x 48" (0.91m x 1.22m)
2004 |
Beth Ames Swartz
All Things
acrylic on canvas
48 " x 36" (1.22m x 0.91m)
2002 -2004 |

© 2005
BASID #626 |

© 2005 BASID #627 (SOLD) |
Beth Ames Swartz
Renewed, transfigured, in another pattern
acrylic, paste and holographic film on canvas
36" x 48" (0.91m x 1.22m)
2005 |
Beth Ames Swartz
The rest is grace
acrylic, paste and holographic film on canvas
36" x 48" (0.91m x 1.22m)
2005 |

© 2003
BASID #546 (SOLD)
|

© 2003
BASID #547 (SOLD)
|

© 2003
BASID #548 (SOLD)
|

© 2003
BASID #549 (SOLD)
|
Beth Ames Swartz
Now the hedgerow is blanched for an hour with transitory blossom of snow
acrylic and holographic film on canvas
30" x 30"
(0.76m x 0.76m)
2003 |
Beth Ames Swartz
When the short day is brightest, with frost and fire
acrylic on canvas
30" x 30"
(0.76m x 0.76m)
2003
|
Beth Ames Swartz
Between two waves of the sea
acrylic and holographic film on canvas
30" x 30"
(0.76m x 0.76m)
2003
|
Beth Ames Swartz
Now it is an incantation to summon the spectre of a Rose
acrylic on canvas
30" x 30"
(0.76m x 0.76m)
2003 |

© 2003
BASID #550 (SOLD)
|

© 2003
BASID #551 (SOLD)
|

© 2003
BASID #552 (SOLD)
|

© 2004
BASID #572 (SOLD)
|
Beth Ames Swartz
In the uncertain hour before the morning
acrylic and holographic film on canvas
30" x 30"
(0.76m x 0.76m)
2003
|
Beth Ames Swartz
This is the spring time but not in time's covenant
acrylic and holographic film on canvas
30" x 30"
(0.76m x 0.76m)
2003
|
Beth Ames Swartz
Midwinter spring is its own season
acrylic and holographic film on canvas
30" x 30"
(0.76m x 0.76m)
2003
|
Beth Ames Swartz
As if blown towards me like the metal leaves
acrylic on canvas
30" x 30"
(0.76m x 0.76m)
2004 |

© 2004
BASID #573 (SOLD)
|

© 2004
BASID #574 (SOLD)
|

© 2004
BASID #575 (SOLD)
|

© 2004
BASID #576 (SOLD)
|
Beth Ames Swartz
And the end of all our exploring will be to arrive where we started
acrylic on canvas
30" x 30"
(0.76m x 0.76m)
2004
|
Beth Ames Swartz
Through the unknown, unremembered gate
acrylic on canvas
30" x 30"
(0.76m x 0.76m)
2004
|
Beth Ames Swartz
Restored by that refining fire where you must move in measure, like a dance
acrylic on canvas
30" x 30"
(0.76m x 0.76m)
2004 |
Beth Ames Swartz
Over a dark lake
acrylic on canvas
30" x 30"
(0.76m x 0.76m)
2004 |

© 2004
BASID #583 (SOLD)
|

© 2004
BASID #584 (SOLD)
|

© 2004
BASID #585
|

© 2004
BASID #587
|
Beth Ames Swartz
Yet ease is cause of wonder
acrylic and holographic film on canvas
30" x 30"
(0.76m x 0.76m)
2004 |
Beth Ames Swartz
Where is the summer, the unimaginable zero summer?
acrylic and holographic film on canvas
30" x 30"
(0.76m x 0.76m)
2004 |
Beth Ames Swartz
And glow more intense than blaze of branch, or brazier
acrylic and holographic film on canvas
30" x 30"
(0.76m x 0.76m)
2004 |
Beth Ames Swartz
Dust in the air suspended marks the place where a story ended
acrylic and holographic film on canvas
30" x 30"
(0.76m x 0.76m)
2004 |

© 2004
BASID #596
|

© 2004
BASID #599 (SOLD)
|
© 2004
BASID #600 (SOLD) |
© 2004
BASID #601 |
Beth Ames Swartz
Reflecting in a watery mirror
acrylic and holographic film on canvas
30" x 30"
(0.76m x 0.76m)
2004 |
Beth Ames Swartz
The wonder that I feel is easy
acrylic and holographic film on canvas
30" x 30"
(0.76m x 0.76m)
2004
|
Beth Ames Swartz
Neither budding nor fading
acrylic and holographic film on canvas
30" x 30"
(0.76m x 0.76m)
2004
|
Beth Ames Swartz
Forgotten, half recalled, both one and many
acrylic and holographic film on canvas
30" x 30"
(0.76m x 0.76m)
2004 |

BASID #645 |

BASID #646 |

BASID #647 |
Beth Ames Swartz
Between three worlds become much like each other #1
acrylic and holographic film
on canvas
24" x 24" (0.61m x 0.61m)
2005 |
Beth Ames Swartz
Between three worlds become much like each other #2
acrylic and holographic film
on canvas
24" x 24" (0.61m x 0.61m)
2005 |
Beth Ames Swartz
Between three worlds become much like each other #3
acrylic and holographic film
on canvas
24" x 24" (0.61m x 0.61m)
2005 |

© 2005
BASID #623 (SOLD)
|
Beth Ames Swartz
There are three conditions which
often look alike
acrylic and holographic
film on canvas (tryptich)
24" x 48"
(0.61m x 1.22m)
2005
|
|